Mesa_boogie DC3 Manuel d'utilisateur

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Page 1 - CALIBER

1317 Ross Street Petaluma, CA 94954USA The Spirit of Art in Technology OOGIEBMESADUAL CALIBER DC-3Owner's Manual

Page 2 - Hello from the Tone Farm

PAGE 6This toggle calls up one channel or the other and can take the place of the Channel Select footswitch when there isn’t one handy.Perfect for set

Page 3

PAGE 7This is the A.C.’s (Alternating Current) main fuse and provides electrical current protection from outside A.C. fluctuations, as well aspower tu

Page 4 - TABLE OF CONTENTS

These two 1/4" jacks are thae patch point for external effects. The Effects Loop is wired in parallel with the normal signal. Connectthe SEND ja

Page 5 - Operating Instructions

PAGE 9This 1/4" jack and control provide a signal derived from the speaker jack. Perfect for using the DC-3 as a master pre-amp, oradditional pow

Page 6 - CONTROLS:

PAGE 10SUGGESTED SAMPLE SETTINGSSAMPLE 1Sparkling CleanSAMPLE 2Pushed Bluesy Rhythm/SoloSAMPLE 3Crunch RhythmHigh Gain Lead/CrunchSAMPLE 4LeadCHANNELR

Page 7 - MIDRANGE

PAGE 11PERSONAL SETTINGS PAGEINPUTFOOTSWITCHDC-3CALIBERDUA LSTANDBY POWERLEADON ONRHYTHM80 240 750 2200 6600GAIN TREBLE MID BASS PRESENCE REVERB MASTE

Page 8

PAGE 12TUBE TASK CHARTNOTE: BEFORE CHANGING TUBES FLIP POWER SWITCH TO STANDBY.Dual Caliber DC-312AX7REAR OF CHASSISGRAYREVERBWHITE(Each 12AX7 contai

Page 9 - ON ONRHYTHM

PAGE 13You may occasionally experience some form of tube noise or microphonics. Certainly no cause for alarm, this quirky behavior comeswith the terri

Page 10 - TOGGLE SWITCHES

Because your amplifier is an all tube design, it is quite possible that you will at some point experience minor pre-amp tube noise. Restassured - thi

Page 11 - FTSW EQ/REV:

PAGE 15Here’s a question we often hear:“Why doesn’t Mesa put bias adjustmentsin their amplifiers?”Well, there’s a short answer and a long answer to th

Page 12 - SILENT RECORDING:

YOU, the smart player and all around intuitive human, have put your trust in us to be your amplifier company. This is something we do not take lightl

Page 13 - REAR PANEL: (continued)

PAGE 16Voltage and current are NOT the same. Current is the AMOUNT of electricity, the “quantity” — and is measured in amperes. Voltageis the degree

Page 14 - SUGGESTED SAMPLE SETTINGS

PAGE 17Some of the other recommended biasing, “methods” — such as -”.. tubes running red hot, increase the bias .. sounds harsh and runstoo cool, turn

Page 15 - PERSONAL SETTINGS PAGE

GAIN TREBLE MID BASS PRESENCE REVERB MASTERINPUTFOOTSWITCH80 240 750 2200 6600STANDBY POWERLEADON ONRHYTHMDUAL CALIBER DC-3OUTPUTLEVELEQ SELECTRETU

Page 16 - Dual Caliber DC-3

The Spirit of Art in Technology OOGIEBMESAThank you for trusting MESA/Boogie to be your amplifiercompany. We wish you many years of toneful enjoyment

Page 17 - TUBE NOISE:

The Spirit of Art in Technology 1317 Ross Street Petaluma, CA 94954USA (707) 778-6565 FAX NO. (707) 765-1503

Page 18

Your MESA/Boogie Amplifier is a professional instrument. Please treat it with respect and operate it properly.USE COMMON SENSE AND ALWAYS OBSERVE THE

Page 19 - Beam Power Pentode

TABLE OF CONTENTSPrecautions FRONT PANEL Description and UsageGainTrebleMidPresenceReverbMasterBassPage #012 & 3456334 & 53 & 445REAR P

Page 20

DC-3 Operating InstructionsOverview:Your DC-3 amplifier was designed to deliver maximum performance in a format based on simplicity. Its easy to dial

Page 21

PAGE 2First familiarize yourself with the layout of the Front Panel and locate the Lead / Rhythm switch on the right side of the chassis, nextto the S

Page 22 - REAR VIEW DC -3

PAGE 3probably a good time to mention that most of the great sounds can be found by setting the GAIN Control moderately, especially in theLEAD Channel

Page 23 - Thank you

sounds in this channel. In the LEAD Channel, try setting the BASS Control somewhere between 3 and 6 . These settings will varywith the amount of

Page 24

NOTE: When trying to use your DC-3 at extremely low volume levels it will be necessary to reduce the far left Gain control. Once theMasters and Outp

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